Les tambours de Jah et les sirènes de Babylone. Reggae et rastafarisme dans la société jamaïcaine
Eric Anglès, Chris Hensley et Denis-Constant Martin
During the 70s three somewhat extraordinary phenomena occurred at the same time in Jamaica: the rise of rastafarianism, a syncretic sect, the establishment of reggae as a new style of popular music and the emergence of a political movement headed by one of the two strongest parties on the island, the People's National Party. While these three movements expressed themselves in different ways - and were never exclusively linked - they together came to represent an intense aspiration for change whether it be cultural, social, economic or political.Today Jamaicans have a different attitude to their history: for many dignity and pride have replaced a sense of alienation and self denigration. Yet the political system has not changed and the same social inequalities persist as twenty five years ago. Jamaica still wonders what its future could be. These collected papers analyze the factors that enabled the coming together of rastafarianism, reggae and political forces within Jamaica and examine recent developments in popular music in an attempt to better understand the extent of social transformation within Jamaica.
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