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# 3-3 | Dandies | Julie Ramos

Non classé Charles Baudelaire, Dandy, Marcel Duchamp, New York 4

À la fin du 18e siècle, Brummell invente en Angleterre la figure ambivalente du dandy bientôt liée à l'avènement de la société démocratique et d'un nouveau spectateur de plus en plus avide de sensations. Au début du 20e siècle, à l'ère des masses, Marcel Duchamp reconduit la figure d'une résistance sans héros, anti-soldat indifférent, ...

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# 3-2 | Dandies | Françoise Coblence

Non classé Charles Baudelaire, Dandy, Marcel Duchamp 3

At the end of the eighteenth century in England, Beau Brummell invented the ambivalent figure of the dandy, who would soon become tied to the advent of democratic society and of a new kind of spectator ever more greedy for sensations. At the start of the twentieth century, in the era of the masses, ...

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# 3-1 | Dandies | Giovanna Zapperi

Non classé Charles Baudelaire, Dandy, Marcel Duchamp 4

At the end of the eighteenth century in England, Beau Brummell invented the ambivalent figure of the dandy, who would soon become tied to the advent of democratic society and of a new kind of spectator ever more greedy for sensations. At the start of the twentieth century, in the era of the masses, ...

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With the Support of
the Foundation of France
Latest Published Texts
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  • # 131 | Art for Society? | Louis-Antoine Mège
  • # 130 | Art as social fact | Ghislain Mollet-Viéville
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  • # 125 | Exhibiting economic knowledge: esthetic spaces and dismal science | Sophie Cras
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Editorial Director:
Laurence Bertrand Dorléac, Thibault Boulvain
Editorial Assistants:
Brigitte Gilardet, Carole Giry
Translator:
David Ames Curtis (# 1-114, 116)
Soersha Dyon (# 115, from 117)

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ISSN 2268-3119