How does one give an effective visual shape to judicial debate? This is the question asked by Franck Leibovici, poet and artist, and Julien Seroussi, a former analyst at the International Criminal Court and previously part of the « mass crimes » section of the Paris Tribunal. Here, they put forward their concept of ...
Arts & Sociétés
Letter of Seminar
Non classé
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# 126 | The body gold | Elvan Zabunyan
This is how Elvan Zabunyan summarizes the status of this precious and coveted metal, intrinsically linked with the history of slavery. The author unveils a significant reversal in this status : the men and women of soul and hip hop using gold, in the shape of heavy chains, most notably, in order to re-capture ...
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# 125 | Exhibiting economic knowledge: esthetic spaces and dismal science | Sophie Cras
Putting the economy on show. Circumstances, it seems, have converged to give the economy an abstract dimension, keeping people at bay by impressing without convincing. With a long-held interest in artistic knowledge on the subject at hand, Sophie Cras has opened a new path of investigation. She questions how the economy has been exhibited since ...
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# 124 | The textiles of the Order of the Holy Spirit | Anne Labourdette
Anne Labourdette, as a curator at the Department of Decorative Arts at the Louvre, is well placed to study the textiles of the Order of the Holy Spirit housed in the museum. Leaning on current research by specialists of the Order and of Renaissance Parisian embroidery, she draws back the veil on the knights ...
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#123 | A game of marbles | Victor Claass
Victor Claass’ interest in billiards came from his reading of Michael Baxandall’s work on “influence”, and the use of the game as a metaphor. The English art historian upends the causal conception of the art world in order to put forward a new paradigm : the game is more open than we thought, artists ...
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#122 | Radiant things | Sophie Houdart and Mélanie Pavy
Sophie Houdart and Mélanie Pavy travel to see what remains of the 2011 Fukushima nuclear disaster. They are looking, in order to talk about it, for the right shape. They fill notebooks upon notebooks. They observe with the greatest possible care. To talk about the world today, they start with the infinitely small. They ...
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#119 | American things | Edward J. Sullivan
“American things: true, metaphorical and anachronistic stories of trauma, colonialism, slavery, racism and social terror, through the ages and the worlds of the hemisphere”: this lengthy title given by Edward Sullivan to his paper relocates our research subject in the current historical context. The author outlines here what he calls his “imaginary exhibition” by ...
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# 118 | The reproduction of objects | Ileana Parvu
Since the early days of the 1990’s, Peter Fischli and David Weiss have replicated ordinary household items using an expanding polyurethane foam, robbing this material world of its very materiality. What remains, then, of these useless objects? What meaning can we find in this flattening of reality, and why did these artists choose objects ...
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# 117 | Sausage | Morgan Labar
When contemporary artists use the sausage as a visual, a comical effect is to be expected. For Morgan Labar, who wrote his PhD on silliness and stupidity, this foodstuff, popularized through industrialization, deserves to be recontextualized within its long history. In earlier art and literature ribald and scatological references abounded but it is in ...
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# 116 | Feigned Books | Philippe Cordez
Philippe Cordez takes an interest in book-shaped objects, whose functions may vary. A few examples: mechanical clock, drinking vessel, commode, firearm, gas cigarette lighter, and piggy bank. Cordez thus adds a chapter to the history of books since the Middle Ages. He does so in line with the work of Kurt Köster, who, as a pioneer on ...