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# 33-2 | Policies of the Real | François Michaud

Passion for Equality, the Economies of Art Cold War 3

The notion of the real has always been open to debate, especially among artists who have never attributed to it the same form. More than once has it served to defend opposing world views, even competing societal models. To Each His Real is the title of the major research project being directed by Mathilde Arnoux ...

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# 33-1 | Policies of the Real | Mathilde Arnoux

Passion for Equality, the Economies of Art Cold War 3

The notion of the real has always been open to debate, especially among artists who have never attributed to it the same form. More than once has it served to defend opposing world views, even competing societal models. To Each His Real is the title of the major research project being directed by Mathilde Arnoux ...

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# 22 | Postwar | Serge Guilbaut

the Economies of Art Art Market, Cold War, United States 5

Contrary to what Barnett Newman declared, one never “starts from scratch,” even if it is true that “the old stuff was out” in the all-out crisis brought on by World War II and everything that preceded it. Two exhibitions have just offered fresh reexaminations of the postwar period. The most recent one took place ...

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With the Support of
the Foundation of France
Latest Published Texts
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  • # 130 | Art as social fact | Ghislain Mollet-Viéville
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  • # 126 | The body gold | Elvan Zabunyan
  • # 125 | Exhibiting economic knowledge: esthetic spaces and dismal science | Sophie Cras
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Editorial Director:
Laurence Bertrand Dorléac, Thibault Boulvain
Editorial Assistants:
Brigitte Gilardet, Carole Giry
Translator:
David Ames Curtis (# 1-114, 116)
Soersha Dyon (# 115, from 117)

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ISSN 2268-3119