Letter of Seminar
Amanda Herold-Marme, who is preparing a dissertation at Sciences Po on Spanish artists in Paris during the Francoist period returns to our seminar to examine the singular trajectory of Roberta González, an artist who worked in France beginning in the 1930s and until her death, in 1976. Herold-Marme spots in González’s work traces of ...
Romain Fathi is a student of the Great War and of commemorative practices. He invites us to reflect on the way in which Australia set up a section for the celebration of the arrival of the Australian and New Zealand Corps (ANZAC) in the Dardanelles in April 1915, a date hallowed as ...
War destroys human beings and things, and among the latter, it destroys cultural property, which testifies to the pastness of the past. Particular attention has been paid to the protection of such property, and this concern has been enshrined in law since the Hague Convention of 1906-1907 and followed up on in the ...
What comics and photography have in common is that they both emerged in the early nineteenth century while giving shape to their authors’ imaginaries. Isabelle Delorme, who is preparing a dissertation at Sciences-Po on historical graphic memoirs, calls to mind the growing role of photography in graphic albums which have themselves been on the ...
Through Chim’s biography, Carole Naggar raises the question of war photojournalism, its methods and motivations. Deeply disturbed by war as early as his youth in Warsaw, Chim lived through all the major conflicts of his time, starting with the Spanish Civil War, wherein he acted as a committed observer who sought to affect viewers ...
Art historians have gone to work on Italy’s colonial past. Yet visual sources for such a history remain rather rare, either because they have been destroyed or because they have been covered over or willfully omitted. Laura Iamurri opens a few possible paths of research and recalls that colonial exhibitions were indeed documented: the works ...
“Architecture in Uniform,” which is the title of Jean-Louis Cohen’s excellent exhibition at the Cité de l’Architecture et du Patrimoine in Paris, presents projects both known and unknown that came into being between the Nazi’s destruction of Guernica in 1937 and the Allies’ atomic bombardments of Hiroshima and Nagasaki in 1945. The interest of ...
The Surrealists reinvented the idol of origins. They dreamed of their Primitive as someone standing apart from science and reality by curiously rediscovering the paths of history. As early as the 1920s, they were among the first to revolt against the serfage of non-Western peoples, and they did so not by calling, in the ...
We already knew the role the Armory Show of 1913 had played in the transatlantic exportation of European modernity. At the initiative of artists themselves, a number of foreign painters were able to achieve recognition in America as precursors of modernism. Cézanne in particular benefitted from the wave of exportation of French Impressionism before ...
We already knew the role the Armory Show of 1913 had played in the transatlantic exportation of European modernity. At the initiative of artists themselves, a number of foreign painters were able to achieve recognition in America as precursors of modernism. Cézanne in particular benefitted from the wave of exportation of French Impressionism before ...