#11-2 | Major Exhibitions | Olivier Berggruen

 In The Ephemeral Museum, Francis Haskell decried the new hegemony created by major art exhibitions and the harmful consequences thereof. He recalled the genesis of the ways in which art works circulate as well as, from the early twentieth century, the first loans of paintings for prestigious international exhibitions, the establishment of ties between ...

# 11-1 | Major Exhibitions | Paul Ardenne

In The Ephemeral Museum, Francis Haskell decried the new hegemony created by major art exhibitions and the harmful consequences thereof. He recalled the genesis of the ways in which art works circulate as well as, from the early twentieth century, the first loans of paintings for prestigious international exhibitions, the establishment of ties between ...

# 10-2 | The Voyage of the Avant-Gardes | Laure-Caroline Semmer

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We already knew the role the Armory Show of 1913 had played in the transatlantic exportation of European modernity. At the initiative of artists themselves, a number of foreign painters were able to achieve recognition in America as precursors of modernism. Cézanne in particular benefitted from the wave of exportation of French Impressionism before ...

# 8-1 | The Market, at the Start | Jérôme Poggi

One must wait until the seventeenth century to see art become no longer just the object of isolated exchanges carried out in order to enlarge the coffers of churches and princes and to give itself out as a commodity to institutions capable of ensuring aboveboard transactions that would allow price comparison and therefore competition ...